Juan Atkins and Moritz von Oswald – the two indispensable protagonists of the Electric Garden – plug back into the wilderness.
‘Transport’ – the full length effort brings together a set of studio-reﬁned sequences aimed at colonizing some of the dark energy that pulsates through those areas that are thoroughly electriﬁed, even if not ‘on the grid’.
The Detroit-Berlin axis triangulated to a third point which, like the atomic particle that lives in two places at once, ﬂickers between a form of techno-charged ambience and a futuristic club-jazz which cannot be broken down into constitutive parts.
Borderland remains caught in a state of enraptured stillness, invisibly moving between every imagined future for electronic sound making.
The result: a font from which springs serene and exhilarating musical ideas that vibrate with reﬁned energy for sixty seconds in every minute.